The Ascension F70, 12-inch, 70 watt, ceramic magnet driver, represents the evolution of a classic tone guitar speaker for players looking for a fresh point of reference. On the other hand, I like my small open backed Fender combos when playing clean and overdrive because they sound better filling the room. Drivers for household or reinforcement use were advertised in 1959. BLENDING CRESCENDOS WITH CELESTIONS - David nearly always runs at least two amplifiers at once in his live rigs, each going to its own speaker cabinet with its own type of speakers. Reeves Vintage Purple speaker with a Green Russian Big Muff - In Any Tongue solo, Reeves Vintage Purple speaker with a BKB 911 Tube Driver - Louder than Words solo, G12T-75 speakers with vent hole on back made by Celestion in England in the 1980s (left) and the version without the vent hole from the 1990s (middle and right). It was still fitted with Jensen P10R speakers. An alternative is the Eminence GA10-SC59 speakers, which are also 20w and with paper voice coil formers like the 1028P. Very Good items may show a few slight marks or scratches but are fully functional and in overall great shape. Principles Before Personalities 1212 Step Study. They allowed the high frequencies that are normally dampened with paper or cloth caps to be retained and radiated through the cap dome. You can also upgrade the four stock 6L6 Groove Tubes (that's what was in mine, new) for a good set of NOS tubes or JJ Electronics tubes, and swap preamp tubes for NOS or JJ's (2-5 tubes depending on which input you use most and if you use the reverb or vib/trem). Shown above - Rola Celestion G12-100 from 1982. Umthey are by FaneI'm not too sure.". The later 59 Bassman LTDs from 2000 onward changed to Jensen P10R speakers with kapton voice coils, which sounded similar, and could handle high volume much better. The flux density and flux capacitor plus going 60 miles per hour makes time travel possible. All rights Reserved. Fender says they are 30w, but they are actually the same 20w Legend 1028P blue frame Alnicos found in the original Bassman RIs. He also used one in his 1990 Pink Floyd rig. 9/10 Choice Award. Note the aluminum dust caps visible through the grille cloth, indicating these are Crescendo 12 'A' type speakers. The easisest way to tell an original 59 Bassman reissue from the later LTD is the fake "ground" switch on the original. David's WEM speaker cabinets are typically loaded with Fane Crescendo 100w 12" speakers. WOT'S, UH THE DEAL WITH THE FENDER 59 BASSMAN REISSUES DAVID GILMOUR USED? It is named the Starfinder, after the name of the WEM Starfinder speaker cabinets that Gilmour is so much associated with, and the company is named after Rawson Sparfield Ltd, the original builder of those Starfinder cabs, although RS is not affiliated with either original company. Ted Weber FC12 100w ceramic speakers with aluminum dust covers are described as having the "Classic British Fane Crescendo tone". In 1989 following years of success, and despite a resolute attempt to orchestrate a management buyout, FANE was purchased by the Wharfedale Group. Depending on the speakers used, these cabs typically weigh in at 50-68 kg/110-150 lbs range! The launch of Colossus PRIME 18XS saw the arrival of another legendary FANE high power 18-inch drive unit to stand alongside the mighty Colossus 18XB. Many people replaced these (including Gilmour) with a real 5AR4/CV1377 rectifier tube. Without seeing the model number or specs it can be very difficult to identify which is which because Crescendos were not always branded with a Crescendo label. The amp was set at very high volume, not bedroom volume. NOTE: This website is frequently updated. Note the 122326 ID codes. Robert Fane Quillin was born on June 6, 1923 and passed away on March 7, 2021 and is under the care of. Why not contact them (, Too late now to edit my earlier post, but I've discovered that that link doesn't work. vintage 1975 Fane Crescendo 12" speaker 16ohm, Gilmour, Pulsonic Cone . They have the same cast metal frame as the Scholz Classic/Scholz Sugarcone speakers George Scholz used to sell with his Harry Joyce branded Hiwatt amps and speaker cabs. Infinity Crescendo CS 3006 Vintage Audiophile Speakers Excellent Tested Working $599.00 $120.00 shipping or Best Offer 2 each Infinity Crescendo CS 3007 Speakers. FENDER SPEAKERS - David used a 1972-74 era Fender Dual Showman Reverb head with a matching Fender 2x15 inch speaker cabinet in the 1976 recording sessions for Pink Floyd's Wish You Were Here album, along with his Hiwatt/WEM cab, and a Leslie 760 rotary speaker cab. I have read that production changed to pressed/formed steel frames at some point, but every Crescendo I have ever seen had a cast aluminum frame. Fender silverface Twin Reverb amp, and Dual Showman Reverb amp. Finishing and preparation of the iconic shape Fane speaker chassis. They had brown solder tags to connect the speaker wires, screwed to the spoke with flat head screws. It looks like that piece of gear is gone. As FANE continued to further develop speaker technologies for high-power professional audio sound reinforcement, the FANE product range and OEM capability significantly expanded to cover a catalogue range of fifty products. It also works for David's 2006 tour tones, heard on Remember That Night and Live in Gdansk. If you just want one speaker that blends both the bright mid range Crescendo tone and the darker, mid-scooped Celestion tone through a Hiwatt, try the Weber British Series ceramic FC12F speakers. In 1994 David had his Hiwatt preamps switchable, so they could be bypassed and allow the Alembic to become the preamp for his whole live Pink Floyd rig. Last update February 2022, - There are numerous versions of the Twin Reverb that Fender has produced throughout the years. If all of your buying and selling of guitars has taught you one thing, what is it? Around 1972 a master volume was added, but they were still basically the same design. speaker cab loaded with Celestion speakers from 2001 (left) and 2004 (right). The old Marshall JTM45 is also nearly an exact copy of the Bassman circuit, but substitues a 12AY7 preamp tube with a 12AX7 tube for more gain, which makes it a bit too dirty for most Gilmour tones. (Great Scott Marty!). A photo from the Evidence Audio website of David Gilmour's 59 Bassman being serviced with new speaker wire confirmed the original blue frame alnicos are still in his. Sound City is one also WEM but mostly I think Hiwatt when Fane comes up. Although not an exact copy, it is very close to the sound of a 1970s Fane Crescendo and includes the aluminum dust cap. A few years later these were changed to Jensen P10R speakers with kapton voice coils, which held up better to high volume than the paper coils in the Eminence speakers. The 65 reissue is basically the blackface/early silverface Twin Reverb circuit architecture with two 12" Jensen C12 speakers. Our story begins when founding partners Arthur E. Falkus and Dennis A. Newbold established the FANE brand by combining the first two letters of their respective surnames (FA and NE) to create the name that would form the identity of their new company. These are also bright speakers, but are more balanced for a wider variety of music and have less upper mids and more lower mids than the Crescendo A. Fane is a wholly British owned company with its headquarters located in West Yorkshire, England. "One of the first jobs I did in the band was to go out and buy him (Gilmour) some new Hiwatt amplifiers. Fane produced a massive number of speaker models with many different options, so there is not one "Fane" sound, and the Crescendos sounded very different to other Fanes. The A90 is the speaker that long-suffering high output compact combos have been waiting for. It sounds very similar to the original amps, but speaker types make a big difference with the sound. The tone falls somewhere in between the Crescendo A and Weber FC12. 1963-67 blackface Twins and early silverface ('67-69) Twins are the same circuit as far as the sound produced, and most ideal for Gilmour tones. A 1x12" cab or 2x12" (two 12" speakers) is suitable for most home or small venue players. In 1986 respected English loudspeaker brand McKenzie was acquired as part of the audio group portfolio, another association that continues to the present day. THIS 15" FANE CRESENDO 15B HANDLES A STRONG 400 WATTS AES DELIVERS A CLEAN BASS SOUND IN PORTED CABINETS CAN HANDLE EXTENDED LEVELS OF EXCURSION THANKS TO ITS' SUSPENSION & LONG THROW MOTOR STRONG DIE CAST ALUMINUM BASKET W/ PUSH BUTTON SPRING TERMINALS FOR ALL QUALITY BASS APPLICATIONS showan above - 59 Fender Bassman reissue from 1990 with blue frame alnico speakers made by Eminence. Flux Density 20,000 gauss - what does that mean? The bright mid range is almost too bright with certain amps, like Marshalls, but works well with a Hiwatt and most Fender amps. There were also several different Fane Crescendo models with various speaker frame designs and labels. In general, as long as it is a sturdy, well built cabinet, I don't think it matters which brand it is. The Showman was basically the head version of the Fender Twin Reverb, for use with and external speaker cabinet. That said, I use both at home, but I do not have close neighbors who would complain. I mainly recall Fane from their adverts in Exchange & Mart back in the pre Internet era. Visit the Cemetery . In general, as long as it is a sturdy, well built cabinet, I don't think it matters which brand it is. Fane label that was also used on some speakers with the exact same specs as the Crescendo 12 A. FANE continues to dynamically engage with a continually changing global audio industry, evolving to the demands of the present time while being faithful to our original maxims of being at the forefront of audio design and engineering and innovative in our approach to predicting future market trends and requirements. The old tubes and speakers can also be worn out, which will add to the cost. Interesting news about the Crescendo revivalwill they manufacture it the same as it was 45 years ago, or will they try to reproduce the sound that an old and worn-in driver makes? This Bassman/Hiwatt setup was used for most of the 1993 Pink Floyd sessions which resulted in the Division Bell album, where David first started using the B.K. The unique grille cloth was actually made in two layers - a thin front layer that was practically see through, stapled over a black mesh back layer. WOT'S, UH THE DEAL WITH ALL THE DIFFERENT TWIN REVERBS? A labour of love as well as of professionalism and expertise. You can also upgrade the four stock 6L6 Groove Tubes (that's what was in mine, new) for a good set of NOS tubes or JJ Electronics tubes, and swap preamp tubes for NOS or JJ's (2-5 tubes depending on which input you use most and if you use the reverb or vib/trem). During the 1960s the electric guitar created the need for more powerful 12-inch loudspeakers. WEMs were very distinctive looking and had a grille cloth pattern unlike any other speaker cabinet maker. Reeves claims they sound very similar to the original Purples, but I have never tried them. reflections from the aluminum dust caps from the Fane Crescendo 100w speakers. Select one or more of the filters below to view products meeting your criteria. AVAILABILITY : IN STOCK 129.27 RRP Inc. VAT The ceramic magnet, 12-inch, 90 watt, Ascension F90 is the speaker of choice for modern rock and metal sounds. Note the 122326 ID codes. Another option is the less expensive 1028K version that is readily available. Based on your location, we've changed your settings: By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. Fane used Kurt Mueller speaker cones in the beginning, then changed to Pulsonic cones, then back to Kurt Mueller in the early to mid 1970s. Almost all of the leading manufacturers of this time would come to load FANE components into their products during this and the following decades. Starfinder speaker with Green Russian Big Muff - On the Turning Away solo, Starfinder speaker with Green Russian Big Muff - In any Tongue solo - no modulation, Starfinder speaker with Green Russian Big Muff - In any Tongue solo with modulation, Starfinder speaker with EHX Ram's Head Big Muff - Mother solo, Starfinder speaker with Green Russian Big Muff - Money solo, Starfinder speaker with B.K. "His stage speaker system consists of two WEM 4x12's with Fane Crescendo speakers, two Marshall 4x12's and three custom-made rotating speaker cabinets we call "doppolas." He began using them around 1991 in his live rig and for session work like the La Carrera Panamericana soundtrack, and throughout the 1990s and early 2000s. Shown above - Practical Wireless catalog page from 1978 listing the wide variety of Crescendo speakers available. Gilmour's 1990-91 era 59 Bassman reissue with 10" blue frame Alnico Legend 1028P speakers (Evidence Audio photo), 10" blue frame Alnico Legend 1028P speakers with paper voice coils, made by Eminence for Fender. ou can switch the Jensens for Weber 12F150's or Weber Californias if you want something closer to the sound of the old JBL speakers used in the original blackface and silverface Twins. I doubt he has used the China made version that satrted production around 2002-2003. We aretrusted and proven to deliver superior sound quality in the most demanding sound reinforcement applications, by the worlds most famous sound system designers, high quality musical instrument amplification brands and fixed installation companies. You are using an out of date browser. It is not clear if David has always used type A Crescendos with silver dust caps, but they can be seen in several of his WEM cab photos from 1973 and 1974, so he has probably always used this speaker. I bet they're expensive. Type A speakers were typically listed in speaker catalogs as "Crescendo 12A" and the spoke labels on the speakers identified them as type "12 A". Premiered Jun 23, 2020 17 Dislike Share Save Grooved Cranial Highway 25 subscribers This is a demo video of Rawson Sparfield Starfinder (Fane Crescendo) Speaker Drivers. Ascension A90. A period of changes of ownership and lack of direction combined to make the next few years challenging for FANE. He also briefly use a pair of silverface Twin Reverbs in a 1984 performance, and a pair of Twin Reverb II amp heads from 1984-87. Not exactly the Crescendo sound, but in the same family. Another decade of continuous success saw increased FANE presence in high-end theatres such as Carnegie Hall, New York, and the Royal Theatre, Copenhagen. They are also available with Alnico magnets. Later 1970s and 1980s models changed to plastic push tags. Open back cabs spread the sound more in all directions and can sound looser. It may not display this or other websites correctly. In the 1970s Fane made speakers for Selmer,Watkins (WEM), Simms-Watts, Vox, and Dave Reeves of Sound City and Hiwatt fame, which is likely where Pink Floyd was first introduced to them. WEM cabs were famously used by The Who, Jimi Hendrix, and Pink Floyd, who showcased them to the world in thier Live at Pompeii movie in 1972. and a Hiwatt Custom 100 through a WEM 4x12 cabinet with Fane Crescendo speakers. The FANE catalogue of components was carefully reviewed and analysed. Fane Crescendo Type A speaker with Green Russian Big Muff - On the Turning Away solo, Fane Crescendo Type A speaker with a Green Russian Big Muff - In Any Tongue solo - no modulation, Fane Crescendo Type A speaker with a Green Russian Big Muff - In Any Tongue solo with modulation, Fane Crescendo Type A speaker with EHX Ram's Head Big Muff - Mother solo, Fane Crescendo Type A speaker with Green Russian Big Muff - Money solo, Fane Crescendo Type A speaker with B.K. Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets from his 2006 tour with barely visible Butler Tube Driver through 59 Bassman LTD - Strat with EMG-SA pickups, Gilmour's 59 Bassman reissues and Hiwatt SA212 stereo rig used for the 1993 Pink Floyd recording sessions (left) and later in 1999 and 2004 (right). They sound harsh for the first few weeks when new, as is the case with most new speakers. Thanks for the bump BobbyZ and for all of the contributions. - David Gilmour has used a wide variety of small combo amps (amplifier + speakers in one cabinet), Kits Secret Guitar, Gear, and Music Page. During the 1970s FANE went from strength to strength, increasing production capabilities and carrying out further research in loudspeaker technology and advanced construction materials. This is a comparison of one of my original Fane Crescendo speakers to the Rawson Sparfield Starfinder and Hi-Tone Crescendo A speakers. The 12 A was the type often used by Gilmour. Overnight speaker power handling was doubled and the legendary Crescendo MI range was born. VISIT MY SWORDS, KNIVES and FANTASY ART WEBSITE www.kitrae.net, This website is frequently updated. Still have the issue of these speakers sounding a little shrill and lacking in low end to my ears. I went down to Hi-Watt in Kingston (in 1974) and saw Dave Reeves and bought two 100 watt heads which are still in Dave's rack today. I have Creams in a few cabs and have a pair of 72 Fane 122231 Purple Back speakers as well as a pair of Hi Tone 231 clones. These are the HITONE CRESCENDO (HT-C 'A') and the Rawson Sparfield. The stock amp sounds excellent, but you can switch the Jensens for Weber 12F150's or Weber Californias if you want something closer to the sound of the old JBL speakers used in the original blackface and silverface Twins. I was sure there were guys here that know something about Fanes. Each Fane Acoustics guitar loudspeaker driver is individually hand crafted in the UK by a team of highly skilled craftspeople. Unfortunately, there was no consumer version of the original 1028P speaker offered by Eminence, but at the time I wrote this, Eminence was still making them exclusively for Fender to sell as replacements on their website, and through the Fender Custom Shop, although somewhat expensive. Parts specifications: Cone: 12 outside diameter, 2.95 deep, 2 voice coil opening, ribbed cone. There are some speakers models that have parameter specs that are slightly different for the 8ohm version than the 16ohm, but probably not much of an audible difference other than slightly more midrange with the 8ohm version. It also sounds incredibly good with a Big Muff, although there are no known recordings of David using one with a Bassman. Your purchases help youth music programs get the gear they need to make music. Watch this gear and we'll notify you if it becomes available again. Best suited for use in 1 x 12" and 2 x 12" low- to mid-powered combo amps, the Ascension N30 is an optimal . Brand New Fane 12 122142 Aftermarket Recone Kit 16 ohm. Originally the G12/75 and G12T-75 had a vent hole on the back to relieve VC pressure and tame the high end, allowing them to stay clean at very high volume, but later G12T-75 speakers from around 1986 onward had no vent. The pedals he used in that rig were often a Rat, Boss CE-2 chorus and Boss CS-3 compressor. Here is a clip using my Twin Reverb RI. T-75s were first made in 1984 and are the most common type of Celestion speaker, so they are very easy to find. You are using an out of date browser. Note that an amp tech will need to rebias the amp for you when you change tubes, for the best optimal sound. Chris is a music gear collector with a large collection of vintage WEM audio equipment, including one of Pink Floyd's early mixing boards bult by WEM. De H1 chip werd gentroduceerd met de AirPods (2019), en bracht snellere verbindingstijden, een verlaagde vertraging tijdens gamen en de mogelijkheid om Siri aan te roepen met alleen je stem. The 300w Fane Crescendo 12MB was another HiFi studio/PA speaker. Two common types of 12" Crescendos were made in the 1970s - type 'A' general purpose speakers, with aluminum dust caps, and type 'B' or 'B/L' for bass and organs, with plastic treated linen dust caps. As Bill Sees It. It was removed for the LTD version. The control panel included a fake "ground" switch, to match the look of the original Bassmans. One was loaded with Fane Crescendos and another was loaded with Celestion 75s, according to Analogman. The massive magnet and ribbed foil tape make them easy to identify. A 1x12" cab or 2x12" (two 12" speakers) is suitable for most home or small venue players.
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